Andreas Breunig analytically dissects his material. In distinct settings, he puts calculated gestures, textures, velocities and varying degrees of dissolved representationalism to the test. In constant permutations, the painterly ›codings‹ and relations of the specific elements shift visibly. Breunig moves between flat pictorial spaces and installative »spatial images.« Nonetheless, his painting always includes a focussed examination of the immaterial digitality. In face of post-natural, artificial light (displays, filters etc.), his chromatic scale ranges between a brisk and overdriven palette as well as a manifold and differentiated choice of color. Working with oil, acrylic, graphite and charcoal, instead of reduction, it’s all about the maximization of expressive possibilities. Due to the simultaneity of such surface phenomena, the boundaries of painting / photography / print become just as blurred as the attributions of original / copy / reproduction.
Andreas Breunig, born 1983 in Ebersbach, lives and works in Düsseldorf. 2002–2008 Kunstakademie Düsseldorf (class of Albert Oehlen). Selected exhibitions: 2022 & 2021 Galerie Bärbel Grässlin, Frankfurt/ Main (s); 2022 Nino Mier Gallery, Los Angeles & Brussels (s); 2022 H2 Zentrum für Gegenwartskunst im Glaspalast, Augsburg (g); 2021 Kunsthaus NRW, Aachen-Kornelimünster (g); 2020 Kunstverein Heppenheim (s); 2020 Galerie Bärbel Grässlin, Frankfurt/Main (g); 2020 Deichtorhallen, Hamburg (g); Galerie Sabine Knust, Munich (s); 2019 Kunstmuseum Bonn (g); 2019 Kunstmuseum Wiesbaden (g); 2019 Kunstsammlungen Chemnitz (g); 2019 Sauvage, Bonn (s); 2019 Nino Mier Gallery, Los Angeles (s); 2018 Aishti Foundation, Beirut (g); 2018 Kunstverein Heppenheim (with Jana Schröder); 2018 Kunstverein Reutlingen (g); 2017 Warhus Rittershaus, Cologne (with Clemens Rathe); 2016 Fondazione Carriero, Milan (g); 2014 Haus der Kunst St. Josef, Solothurn, CH (g); 2012 Rautenstrauch-Joest-Museum, Cologne (g); 2011 KIT – Kunst im Tunnel, Düsseldorf (g); 2008 Villa de Bank, Eschede (s); 2008 Kunsthaus Sootbörn, Hamburg (g).
Vita
1983
born in Eberbach, Odenwald. Lives and works in Düsseldorf.
2002—2008
Kunstakademie Düsseldorf, Prof. Albert Oehlen
Selected Solo Shows
2024
PREDICTION / ANALYSIS(background) – Jahn und Jahn, Munich
2023
L’informazione e i suoi apparati – Alfonso Artiaco Gallery, Naples
2022
Completely incomplete EXTANT (extended) – Galerie Bärbel Grässlin, Frankfurt
Adaptability (PRO) – Nino Mier Gallery, Los Angeles
Adaptability (CONTRA) – Nino Mier Gallery, Brussels
2021
inscrutable glade & cleaning projects (Full circle) – Galerie Bärbel Grässlin, Frankfurt
2020
The Big XI, – Nino Mier Gallery, Los Angeles
PLAY ME HAVE NO PROBS – Kunstverein Heppenheim
2019
Body Possibility – Knust Kunz Gallery, Munich
Copy & Waste – Sauvage, Bonn
The Windowing System – as a (hyperstatic) problem – Nino Mier Gallery, Los Angeles
2018
VOTE, (+ Jana Schröder) – Kunstverein Heppenheim, Heppenheim
2017
Hi>°<LoRes (+ Clemens Rathe) – Warhus Rittershaus, Cologne
2016
happy wife – happy life (with Seb Koberstädt) – Warhus Rittershaus, Cologne
...aus Liebe zur Natur (with Matthias Schaufler) – Jagla Ausstellungsraum, Cologne
2015
Shut down – Warhus Rittershaus, Cologne
2014
Ihr doch auch. – Gagarin, Düsseldorf
He got Frame – Kunst Schaefer Wiesbaden, Wiesbaden
2013
P.o.W. presents Breunigga – The Windowing System, Prince of Wales, Munich BAERTIG, BOCKIG & BESCHEIDEN – SIGHTFENSTER, Cologne Soon – Avantrash, Munich
2012
The Head-On Collision, ANDREAS BREUNIG & RM Collected – Resy Muijsers Contemporary Art, Tilburg
2011
A-stage [simulated] – Warhus Rittershaus, Cologne
2011
Brainfreezer – Warhus Rittershaus, Cologne
2009
Brainfreezer – Warhus Rittershaus, Cologne
2008
Der vereinende Ast, Villa de Bank, Enschede
2007
Martin Weidemann – Andreas Breunig (with Martin Weidemann), Kunstraum acapulco, Düsseldorf