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Various Others | Joker. Marcel Broodthaers, Rasmus Nilausen, Caragh Thuring, Troels Wörsel
Installation view, Jahn und Jahn, Munich, 2020
Marcel Broodthaers © VG Bild-Kunst, Bonn
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Troels Wörsel, Orange & Scotch, Diptychon
acrylic on untreated cotton
179,5 x 301 cm
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Various Others | Joker. Marcel Broodthaers, Rasmus Nilausen, Caragh Thuring, Troels Wörsel
Installation view, Jahn und Jahn, Munich, 2020
Marcel Broodthaers © VG Bild-Kunst, Bonn
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Caragh Thuring, Gloaming, 2015
oil, inkodye, Gesso, acrylic on linen
182,9 x 121,9 cm
Courtesy the artist and Thomas Dane Gallery, London
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Various Others | Joker. Marcel Broodthaers, Rasmus Nilausen, Troels Wörsel
Installation view, Jahn und Jahn, Munich, 2020
Marcel Broodthaers © VG Bild-Kunst, Bonn
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Rasmus Nilausen, Plusquam Perfectum (Past Perfect), 2016–2020
acrylic and crayon on linen
146 x 114
Courtesy of the artist and garcía|galería, Madrid
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Various Others | Joker. Rasmus Nilausen, Caragh Thuring
Installation view, Jahn und Jahn, Munich, 2020
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Caragh Thuring, RL Basalt 2, 2004
oil and gloss on canvas
152,6 x 312,8 cm
Courtesy of the artist and Thomas Dane Gallery, London
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Various Others | Joker. Rasmus Nilausen, Caragh Thuring, Troels Wörsel
Installation view, Jahn und Jahn, Munich, 2020
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Troels Wörsel, Filter, 1982
acrylic on untreated cotton
180 x 150 cm
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Various Others | Joker. Rasmus Nilausen, Troels Wörsel
Installation view, Jahn und Jahn, Munich, 2020
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Rasmus Nilausen, Inner World, 2015
oil on linen
146 x 114 cm
Courtesy of the artist and garcía|galería, Madrid
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Various Others | Joker. Marcel Broodthaers, Rasmus Nilausen, Caragh Thuring, Troels Wörsel
Installation view, Jahn und Jahn, Munich, 2020
Marcel Broodthaers © VG Bild-Kunst, Bonn
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Various Others | Joker. Rasmus Nilausen, Caragh Thuring, Troels Wörsel
Installation view, Jahn und Jahn, Munich, 2020
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Rasmus Nilausen, Technology of Painting, 2014
oil on linen
130 x 100 cm
Courtesy of the artist and garcía|galería, Madrid
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Various Others | Joker. Marcel Broodthaers, Rasmus Nilausen, Troels Wörsel
Installation view, Jahn und Jahn, Munich, 2020
Marcel Broodthaers © VG Bild-Kunst, Bonn
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Caragh Thuring, Enlisted Wives Club, 2016
oil, Gesso, acrylic on cotton and linen
213,8 x 152,2 cm
Courtesy the artist and Thomas Dane Gallery, London
Copyright
Caption
None
© VG Bild-Kunst, Bonn
Copyright
Caption
JOKER is an exhibition about images, language, and the space in between.
“I know that noise! Someone has just died!”
“No, it was just a grasshopper jumping on your bed.”
Scarcely have I begun to open my eyes—already I begin to distinguish one thing from another.
JOKER is an exhibition about vision—looking, speaking, writing, image making, and the beauty (and tragedy) of deciphering signs and text. Images as texts, as tools of reflection.
“A lot of dirty towels are lying on the floor.” —
— “Did I really see the towels lying there, or did I only read the sentence: ‘A lot of dirty towels are lying on the floor’?” —
— “Yes, you only dreamed of the dirty towels.”
JOKER is an exhibition about shadows. Or to be more precise: about the difference between the shadow and its origin. Let’s call it irony.
Irony is to be found in the gap between the subject and its antithesis—to be activated by the reader.
“Do you know the difference between — ?” —
— “Yes, the difference is a joke!”
JOKER is an exhibition about poetry. About relations. About the joy of making sense. It is put together by the artist Julius Heinemann.
Excerpts from Peter Handke’s poem “Distinctions” in Peter Handke, The Innerworld of the Outerworld of the Innerworld, trans. Michael Roloff (NewYork: Seabury Press, 1974).
Marcel Broodthaers
1924 Brussels – 1976 Cologne
Rasmus Nilausen (garcía | galería, Madrid)
1980 born in Copenhagen, lives and works in Barcelona
Caragh Thuring (Thomas Dane Gallery, London)
1972 born in Brussels, lives and works in London and Argyll, Scotland
Troels Wörsel (Jahn und Jahn, Munich)
1950 Aarhus – 2018 Cologne